Set in 1949 and starring Sandra Hüller as Thomas Mann’s daughter, the Best Director winner at Cannes reckons with the cost of holding onto one’s convictions in a world choosing sides.

Colin Farrell remains compelling, but the second season loses much of the daring that made Sugar one of TV's most original series.

Milly Alcock brings a rebellious edge to "Supergirl," but the latest DC adventure never quite matches its heroine's energy.

Disney is an entertainment behemoth that has been making its mark on pop culture for decades. Today, its wings spread wide to ...

Michael Fassbender anchors a gripping but uneven second season of The Agency, where strong writing and performances are ...

Last year’s “Superman” ended with Iggy Pop singing “Because I’m a punk rocker, yes I am” — an ironic coda for a superlatively ...

In the face of rising prices for everything from game consoles to physical discs, I've discovered that the updated ...

That is exactly how this remarkable museum makes you feel. One moment you’re admiring colorful displays. The next, you’re pointing at a toy you had as a child or smiling because you suddenly remember ...

DPI, an 8,000 Hz polling rate, and rising prices--modern gaming mice are technically impressive, but offer hardly any ...

Minions & Monsters,” the third standalone Minions movie, explores the magic of moviemaking but misses the mark, says ...